Connect with us

Reviews

Bay Area Review: Lil B’s “Young Niggaz”

Published

on

Lil B

Lil B’s odd journey from parody figure to Hip Hop influencer hasn’t stopped him from becoming one of the most versatile artists in the industry. To be frank, everyone loves him. If you love traditional rap, chances are you find Lil B funny enough to justify checking out his music on occasion. If you love listening to experimental rap, you love Lil B for his constant forays into odd musical territories. The point is, there’s something for everyone when checking out his extensive catalog. With this in mind, it makes it hard to recommend listening to one his latest releases, “Young N*ggaz.”

To be fair, we did just say that he always experiments. But to be honest, he took a long time off from rapping relevancy, only to reappear recently for the release of his Black Ken mixtape. Maybe he retooled his approach recently to focus on a more traditional demographic. Maybe he wanted to go after a classic Bay Area hyphy sound. Whatever the case, “Young N*ggaz” suffers from it.

It’s not necessarily the overly hyphy production or the subpar mixing of the beat and vocals that make it a mess, more so the quality of the verse from Lil B combined with, well, everything else. It sounds like a joke, and that’s even low by Lil B’s standards. The track relies on the nostalgia produced by the hyphy sound to carry the listener to the end. The problem with that is that the production is yawn-inducing so the nostalgia lasts for all of ten seconds before you realize that the track is pretty bad.

The only saving grace in the song is a verse from fellow Californian YG who brings a phoned-in but quality verse. But then again, every YG verse is fire. Could this be on the lower end? Does YG sound bored here? These type of questions pop up as the song goes along. Imagine listening to it multiple times for a review. Yeah, it’s that bad.

Hopefully, Lil B can recapture the creative spark that he had for years when he ran the backend of the rap game with his original sound and message. As a Lil B fan, I can only return to some of his best work and reminisce on the golden days. If “Young Niggaz” is an indicator of the direction that he will push his sound, it looks like his best days are behind him.

Reviews

@LanaLadonna’s ‘$B1glan’ is the perfect glimpse of her bold future

Published

on

There’s something of a renaissance in women’s rap. Acts like Cardi B, the City Girls, and Rico Nasty have made bold steps in reclaiming a certain vigor that past acts of the 90s made into a genre-leading niche. It’s amazing to see because we’re getting to a point where women in rap are as vast and varied as ever before and, every day, we see more exciting acts come to light.

The latest is Lana LaDonna, a Detroit-based lyricist whose bold and empowering bars remind you a bit of Cardi B, but crossed with the flair of Rico Nasty. Her latest project is $B1GLAN, a quick and dirty helping of her tremendous personality. Over quick and bombastic production, she dazzles with flurries of bars that get you familiar with who she is. And once she does, you’ll love her for it.

She has multiple voices on display, just listen to “Ykwtfgo” where she angrily prances on the beat while rapping on it. And that’s just the beginning. From there, she grows more excited. Tracks like “I’on Gaf” are spectacular party bangers where her eager screed makes you want to stop what you’re doing and turn up. And then on slightly sinister cuts like “Kill Me” she threatens with a twinkler in her eye. She varies her styles and constantly keeps you engaged.

There’s a lot to love about $B1glan, with the only seeable criticism being that it’s too short. As soon as the energy kicks up to high gear, it’s over in a flash, leaving you to wonder how the rest of this marvelous, high octane night went. That doubles as a strength though, powered by the project’s consistency that keeps you excited. So, I guess in the end, maybe that’s also a strength.

$B1glan is everything that you could want out of a project and more. Lana LaDonna creates her own style that contains bits of others, molded into something that’s every bit as energetic, braggadocious, and inspiring as her peers — but also boldly original. Her rhymes are going to be inspiring the world someday soon. For now, $B1glan‘s going to have to do.

Listen to $B1glan below.

Continue Reading

Reviews

.@MeechTheGoat’s ‘Before Chronicle’ is must-hear music

Published

on

There aren’t too many celebrities out of Kansas City, save for Ellie Kemper of The Office fandom. There definitely aren’t any rappers. TXYLOR is looking to change that though and his new release, Before Chronicle, shows that he definitely has the chance. With vast and varied production, the rising rapper shows that with a little tempering, he’ll take over before you know it.

TXYLOR comes from the school of conscious, authentic raps that artists like J. Cole and Kendrick Lamar have cultivated over the course of their careers. Songs like “24 Trillion Miles” paint a picture of the path he’s taken, with great care to contextualize his pain and struggles through hefty bars that deliver a punch. Another track like “Move Around” is more sinister and bleak so his delivery reflects this, with emotional bars that ask for space. Its anxious mood is drastically different from the first. You pick up on the diversity and are sucked in. This is someone who understands poise and the importance of presence.

But everything isn’t a tale of the two extremes. TXYLOR’s strengths come from how he can make relatable raps in all forms. “Go” is a trap-adjacent jam that talks about the authenticity of the people around him. He keeps it real as he lists off the different kinds of fake. He gets introspective on “No Cure For A Cold Heart” when he talks to the people in his life – both here and departed – as he lets them know how it is. By covering multiple bases like this, his versatility becomes the star of the project and leaves him ringing in your ears way after it cuts off.

Before Chronicle is supposedly a preview before he releases an album called Chronicle. With this kind of wide-ranging effort on just a preview, we can imagine what’s going to be on the first. It makes you want to figure out more about this mysterious artist and see what he has going on. Before Chronicle is definitely what you need to learn more about TXYLOR.

Stream Before Chronicle up above.

Continue Reading

Reviews

Here’s The Verdict on Joey Purp’s ‘QUARTERTHING”

Published

on

Joey Purp’s a member of the SaveMoney crew – a Chicago based collective featuring the likes of Chance The Rapper and Vic Mensa amongst other eclectic musicians – and brings a striking new element to Chicago’s music scene. When he released iiiDrops in 2016, although his sophomore project, the world was given a proper introduction into his world of street adjacent raps. He showed his ability to be introspective over a wide selection and variety of ethereal beats. His new project QUARTERTHING continues this creative selectiveness with a newfound commitment to innovation.

Over the course of its runtime, the unique cadence and flow he utilizes to channel excitement constantly grows and evolves. On tracks like “Elastic” and “Godbody Pt. 2,” Purp’s tenacity shines through the refracted lens of eclectic beat selection. Confidence is the main currency being traded on QUARTERTHING. “2012,” the album’s most nostalgic cut, even retains some of this aesthetic that helps to build immersion.

Although much of it the project is powerful, there’s a glaring misstep. “Bag Talk” has a yelling problem; one that the album tries its best to mask throughout with loud beats. But “Bag Talk” peels the veil back to showcase just how empty it sounds without the extra bells and whistles.

Nevertheless, QUARTERTHING is a powerful project that continues to showcase some serious growth for Purp. He’s proving himself to not only be one of SaveMoney’s best, but Chicago’s as well.

 

 

Continue Reading

Trending This Week

Copyright © 2018 4sho Magazine LLC.