Audio
Here’s Why @YungBizzle704 ‘s “Lately” Is An Autotune Smash

T-Pain literally revolutionized the use of voice effects in modern rap music. Of course he utilized the convention to create R & B music, but the rap world became enraptured with his ways and nearly immediately emulated them. And boy, were there some horrible attempts. Ron Brownz’s “Pop Champagne” and “Jumpin Out The Window” were perhaps the worst of them all. Since then, with the exception of Kanye’s 808 and Heartbreak album, autotune use has largely been a toss up whenever it’s been used. We’re still truthfully waiting for someone to really make it effective in the rap game, even when it’s being used much more frequently.
Yung Bizzle’s sultry new track “Lately” proves that he just might be the one to bring the talent. The track is heavy with the feels, thanks to Bizzle’s unapologetic autotune crooning that sounds heavenly compared to much of what exists that utilizes the technology. Bizzle croons loud and effectively as he sings about his relationship with a beautiful woman and the activities that entail keeping her love. The production moves swiftly and embraces Bizzle’s vocals as he shines dominantly over the percussion and melodies.
Autotune is judged by the quality of the background just as much as the vocals themselves. Bizzle’s track works so well because everything feels cohesive – from the melodies on the backend to the vocals. When it’s perfectly mixed, you know that you have a banger. And that’s the case with “Lately.”
See what we mean for yourself below.
Audio
Godbliss & Papoose Snap on “God Tier” — And It’s Mean

Some records talk tough. Others are tough. “God Tier” falls into the latter. Godbliss linked up with Papoose for a bar-heavy banger that checks every real rap box: punchlines, flow, grit, message, and presence. This track doesn’t just knock — it slaps you awake.
Godbliss proves yet again why he’s a respected force in the underground — unfiltered, intelligent, and vicious on the mic. “I cut you up to link sausages,” he spits with zero hesitation, layering graphic metaphor with East Coast bite. Papoose, ever the technician, fires back with Bronx-worthy venom and deadly delivery, flipping street tales into punchline poetry.
The production? Dirty and deliberate, it gives both emcees the space to wild out without losing the structure. What really sets “God Tier” apart is how clean and cohesive it sounds while still feeling raw. This ain’t for the TikTok crowd. This is gym music. Cipher music. Real rap fans, do yourself a favor and press play now — and then again. You’ll find something new in each listen.
Keep Up With Godbliss
Instagram | Twitter (X) | Facebook | YouTube | Apple Music | Spotify | Soundcloud | Audiomack
Keep Up With Papoose
Instagram | Twitter (X) | Facebook | YouTube | Apple Music | Spotify
Audio
Omega The Poet drops “Candy” with Foolie $urfin

“Candy” is a seductive, & sexy ride where Omega the Poet and Foolie $urfin compare a woman’s allure to the sweetness of candy and the sleek luxury of a Mercedes.
The track blends dreamy melodies with lust-driven lyricism, capturing the high of infatuation and the temptation that comes with beauty and desire. It’s a sonic fantasy — smooth, hypnotic, and dripping with double meanings.
Check out “Candy” below.
Audio
Star2 x Sprite x Luh Kel Drop “Where Would You Go?”

Star2 x Sprite x Luh Kel release the new single and video “Where Would You Go?”. The song taps into the frustration of questioning someone’s loyalty to you. The verses seamlessly shift between English and Thai in a vibrant fusion of R&B-infused melodic hip hop that is both poignant and powerful.
“Where Would You Go?” was filmed at Wat Saket (The Golden Mount), which is a significant ancient Buddhist temple in Bangkok where monks live and pray. Many scenes took place in the cave on the property that displays a large replica of the towering 33 ft. “Bamiyan Buddha” from central Afghanistan that was destroyed by the Taliban in 2001, and recreated to bring back the lost cultural heritage.
“Where Would You Go?” is from Star2’s forthcoming EP, No Place Like Home, which is set to drop on May 9th.