Atlanta native burgeoning rap star, Rico Cash, keeps up motion with his new video “Invisible” – the visual captures all the things that matter to the rapper – including his friends, business team, family, and heartfelt moments from his baby shower with Lira Galore. The video was shot in Atlanta, GA – and the track was produced by Melz Eardrummerz.

Rico Cash is determined to pave his own lane while staying true to his Westside Atlanta roots and remaining passionate about unapologetically telling his story through his music. He’s been seen on The Shade Room, Hollywood Unlocked, Lyrical Lemonade, BET, Revolt, Apple Music’s Ebro Discovered, and more.

Take a look at “Invisible” below.

Cash Cobain, the multi-hyphenate NYC rapper & producer extraordinaire known for originating “sample drill” has just released his new EP, Slizzy Day including features from Lil Yachty, TaTa, & Vonte*. Cash is fresh off of a monumental year in 2022, having released his critically acclaimed mixtape 2 SLIZZY 2 SEXY which received ‘Best of the Year’ nods from The New York Times, Pitchfork, The FADER, and UPROXX as well as co-signs from Frank Ocean who used his song “JHOLIDAY” in a Homer Ad and Drake who featured his music on OVO Sound Radio. Cash Cobain was also the subject of a high-profile feature in New York Magazine following the explosion in popularity of Drill music in NYC, and more specifically “Sample Drill”—a subgenre which Cash pioneered in the summer of 2021 by producing hit songs like “My Everything” by B-Lovee, a flip of the classic Mary J. Blidge record. The success of the song burst open the doors for Bronx drill to flourish––even inspiring Cardi B to revisit her Bronx roots and participate in the trend on Kay Flock‘s “Shake It”. Out now, Slizzy Day expands on Cash’s signature style across six new tracks complete with R-rated flirtations, breezy charisma and ethereal, sample-heavy production.

On the Slizzy Day EP, Cash is effectively expanding on his artistry by stretching the boundaries and blending a curated array of genres and sounds into one that is uniquely his own. The celebratory release coincides with Cash’s birthday and serves as a gift for his fans. As he raps over a range of beats with masterful samples ranging from Aaliyah to Miguel, the new EP is a charming listen through the lively mind of Cash Cobain. On “No More Bodies”, Cash is joined by Lil Yachty as the duo executes a slow-rolling track full of lively charisma over a sample of a recent Afropop smash hit. By sampling SWV’s classic song “Weak” on his new track of the same name, Cash blends his old school R&B influences with his interest in modern-day drill music by pitching up the vocals and placing them over top of a stuttering drum pattern and snaps. Although the production across Slizzy Day often features recognizable samples and heavy bass, Cash always showcases his finesse as an emcee by carving out his own pockets to flex his charm and enthralling flows. Serving as a testament to how far Cash has carried his sound in the Hip-Hop world, Slizzy Day boasts features from the likes of Lil Yachty, TaTa and Vonte*. After curating the sounds of NYC with his iconic production techniques and breaking out as an exemplary rapper in his own right, Cash Cobain is adding to his uncompromising momentum with the release of Slizzy Day—out now.

Charlieonnafriday is a star on the rise — the Seattle born artist has a knack for melody, catchy hooks, and authenticity that can’t be taught. On “Same Friends,” featuring Lil Tjay, Charlie offers his best record yet. He waxes poetic about his come-up in the music game and bringing his same friends along for the ride with him before Lil Tjay comes in to deliver a bar-heavy verse that’s reminiscent of early Tjay records. In the video, Charlie and his day 1 friends from Seattle are settled into a lavish home in LA, kicking it and recording before all heading over to Lil Tjay’s house where Tjay and his guys are doing the same. “Same Friends” ft. Lil Tjay is a banger primed for long car rides with the windows down and the speakers all the way up.

Charlie hasn’t let up once this year. While he’s been flooding his fans with new music, he’s also been on the road. He kicked off 2023 with the ONNAFRIDAY college tour, making stops at some of the biggest colleges around the country and performing fan favorites like “Enough” and “That’s What I Get.” He’s currently opening for Jessie Murph across the states before heading to Europe in April to open for his mentor Macklemore. The Macklemore tour is particularly special for him — growing up in Seattle, Charlie has always been a Macklemore fan and now he’s added collaborator and friend to their relationship in addition to tour, Charlie was featured on Macklemore’s recent BEN.

To understand charlieonnafriday and where he’s headed, it’s important to go back to where he started. Raised in many neighborhoods in and around Seattle, but noting the Greenlake neighborhood as his home, Charlie says, “I just like capturing moments.” 

When COVID hit in 2020, Charlie was a junior in high school and started thinking big-picture about what he wanted to do with his life. He reflected on what brought him the most joy, and knew music was it — specifically, continuing the lineage of iconic artistry that comes out of a city like Seattle. And then he manifested a career. By his senior year, he focused his songwriting and landed a hit with the slow banger “After Hours.” The song distilled the essence of the party, connecting with young people all over the world, as well as older adults remembering the good old days. 

From there things happened fast. Just a few months later, Lil Keed wandered into the studio where Charlie was recording in L.A., heard what Charlie was working on, and demanded a track together immediately. They made “Misfit,” right on the spot, and Charlie calls it, “one of the craziest experiences of my life.” That was lucky timing. But writing anthems like “Colorado Boulder” with Kidd G, about college girls who blow all their money on “Titos and weed” — that’s not luck, that’s skill. 

For Charlie it all comes back to the genesis of Seattle and that penchant for bottling life; “I’m not the same person I was in high school,” he says, having seen the world a few times now. “But I’m still making songs in my bedroom. I’m still capturing moments. And hopefully people want to live through what I capture.”