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Music To Check Out: NoName’s ‘Room 25’

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The first time I heard of Noname, it was on Chance The Rapper’s 2013 mixtape Acid Rap. Her verse on “Lost” was bereft with subtle imagery and smooth vocals, things that have since then become trademarks of her eclectic style. In the years since, she’s morphed into one of rap’s most interesting personalities. She forgoes falling into any stereotypes, hardly fitting into the categories that we place rappers into. Her rhymes are crisp and intimate, typically refraining from the overt sexuality exhibited by the Cardi Bs and Nicki Minajs of rap’s elite. She’s a little idea, big picture kind of lyricist that’s necessary in the game.

Her latest album, Room 25 is the kind of introspective, small album that acts as the antithesis to the running theme of 2018 rap: grandiose. Room 25 captures the spirit of Chicago’s jazz and blues, throws in neo-soul aspects in the album’s production, and makes use of poetic elements to create one of the year’s strongest projects. On the album, Noname explores the ins and outs of her mind in such startling ways that we’re often more fearful for her sanity than excited to digest her music. It’s a haunting effect that makes the album that much more brilliant.

Since Noname released Telefone in 2016, her life has changed. Prior to this, she was just another rap hopeful, a brilliant poet looking to translate her grand slam experience into music industry success. Telefone showed the world the extent of her brilliance. Room 25  takes the listener on a journey into her mind, finding the mental changes that come with sudden success. There’s a lot of deep, introspective lyrics, just as there are sexually charged lines that drip with venom. Each utterance of “pussy” sends jolts through the spine.

To get the full extent of Room 25, you’ll need to digest the album for yourself. It’s clear fro a few initial listens that Noname’s new body of work is one of the best you’ll find out currently. Listen to Room 25 below.

 

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C Stunna and DJ Drama Unleash ‘Still Stuntin,’ A Star-Studded Gangsta Grillz Mixtape

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Florida’s C Stunna (@cstunna2xx) is turning up the heat; all gas, no breaks, this summer. The acclaimed hip-hop sensation releases his highly anticipated Gangsta Grillz mixtape, Still Stuntin, hosted by none other than the legendary DJ Drama. Still Stuntin emphasizes C Stunna’s nature of flexing, with Drama’s energetic productions, providing a curated sound of high-energy, heavy-hitting tracks. With DJ Drama at the helm, Still Stuntin is a natural evolution and elevation from his previous projects. Check out the project here.

The tape is home to the buzzing single “Curtis Jackson” ft. Skrilla, which generated over 250,000 streams on Spotify and 1.2 million views on YouTube, and “Lose Control,” ft. Real Boston Richey, a bass-heavy slapper that sees the two quite literally losing control and turning up in the city. Standout track “No Pad or Pen” features a standout verse from Luh Tyler, and “We The Ones” boasts an appearance from Wizz Havinn. Amidst all the star power, C Stunna makes sure to put on for his city, recruiting South Florida associates Fatpocket, Jimbo World, T Row and Woodboy Gee for the final track “Freakneak.” 

Still Stuntin isn’t just a regular project —it’s a certified Gangsta Grillz mixtape. The chemistry between Drama and Stunna is clear, and Drama’s hosting of the tape serves as a stamp of approval synonymous with hip-hop excellence. Renowned for his impeccable ear for talent, DJ Drama’s involvement elevates Still Stuntin to a whole new level.

I’ve been waiting to give the world this tape,” C Stunna said. “I know it’s gonna shake the streets up. This tape is also a part of history too, working with Drama! ‘Still Stuntin’ is gonna be one of the best tapes of the year.”

Still Stuntin is C Stunna’s first full-length project of 2024, arriving in the wake of a breakout year for the respected rapper. Last summer, he took the stage at Spotify’s Most Necessary Live concert in Miami. The show was graced with surprise performances by Kodak Black and Nardo Wick. 

Since then, he’s maintained his consistency. C Stunna reached critical acclaim with the release of “Al Roker,” a track that amassed over 2.2 million streams on Spotify and earned him praise from industry tastemakers and peers alike. His fanbase has grown exponentially, with performances at Rolling Loud Miami and Rolling Loud California opening the doors to new fanbases. His momentum only continued to soar with subsequent releases such as “Motion (Remix)” and “Vibin,” further establishing him as one of the most promising talents in the industry.

With boundless ambition and a committed work ethic pushing him forward, it’s just a matter of time before C Stunna completely takes over.

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Artist To Watch

Saint-Côme, Makes Formal Introduction With New Track “Pressure”

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Saint-Côme is an emerging artist on the verge of superstardom. The new sensation of the infused Afro-Pop makes a formal introduction to the world in the buzzing track “Pressure.”

Directed by Era Filmz, the period piece visual showcases the empowering singer and featured artist Zoey Brinxx as bosses of their own empires. After donning lavish attire, they are met with traditional paparazzi following them around. Enjoys the power, the collaborators inspire other women to do the same through the catchy lyrics and sing-a-long hook.

This Afro-pop track is sure to get listeners dancing, enhanced by Zoey Brinxx’s fiery lyrics and her notoriety from “Love and Hip-Hop Miami.” It marks the beginning of what promises to be an exciting journey for this emerging artist.

Hailing from Miami, Stephanie Saint-Côme is a classically trained vocalist who has excelled in state competitions and won first place in the Musical Theater Advanced Category. She has performed with esteemed groups such as Seraphic Fire and Jubilate Inc., showcasing her talent in singing multiple languages. Among her most requested pieces are “Rejoice” from Handel’s Messiah, “The Prayer” in English and Italian, and “Ave Maria.”

The latest single introduces her unique sound to a worldwide audience and sets the stage for many more exciting projects. Stream the new single below, and afterward, follow Saint-Côme, on social media for daily updates and more.

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TAVE feat. Bibi Bourelly and India Shawn Drops “No More Maybes”

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GRAMMY- nominated TAVE releases his 
debut single “No More Maybes” featuring powerhouse vocalists Bibi Bourelly and India Shawn. Just moments after inking a deal with ADA/Warner Music UK, the London born and bred songwriter and producer is unveiling an exhilarating new artistic era with his name front and center. “No More Maybes” crystallizes TAVE’s newfound vision with an irresistible first listen of diverse cultures and sounds. This enthralling sonic journey through soul, R&B, hip-hop and pop features trailblazing singer-songwriter Bibi Bourelly and spell-binding R&B songstress India Shawn, who adds, “I don’t think TAVE knew he was making one of my dream collaborations happen when he hit me for a verse on ‘No More Maybes’. I’ve been a fan of Bibi for so long! It was cool to play with a different, darker sonic palette and to tap into a more rebellious side… it was a much needed departure, and that’s the essence of the song, getting away from familiar & not giving a f*ck.” Teeming with a rich tapestry of euphoric harmonies, emotive guitar, and silky layered melodies, “No More Maybes” is a groove-inducing listen that delivers the empowering declaration of self-worth and having the courage to demand what you deserve. 

TAVE has had a comprehensive career working alongside Little Mix, 6LACK, Masego, The Saturdays, Rapsody, SiR, Kelly Rowland, The-Dream, EXO, Jazmine Sullivan, Melanie Fiona, and more. Recent achievements include co-writing / co-producing K-pop sensation Aespa’s debut single, which soared to #1 on the Billboard Hot Shot Debut charts, contributing to Masego’s Grammy-nominated album “Studying Abroad: Extended Stay” with standout tracks like “Polygamy” and “Bliss Abroad”, and 6LACK’s “Inwood Hill Park” from his 2024 Grammy nominated album “Since I Have a Lover”. 

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