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HoodTrophy Bino & Spank Nitti James Releases “Lavish Spazzin”

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LA based rapper HoodTrophy Bino, who is signed to Soulja Boy’s Stacks On Deck Money Gang (S.O.D.M.G.) label, releases the new video for “Lavish Spazzin” ft. Spank Nitti James.

HoodTrophy Bino is a full circle rapper who blends his childhood experience growing up in the South Central LA projects into the music he writes today. He met Soulja Boy while serving time together, and the two quickly developed a friendship which later led to his signing. Spank Nitti James is a rapper from Hemet, in the Inland Empire of California, who works closely with producer Hit Boy and was featured on his recent album Surf or Drown

From the very first notes, “Lavish Spazzin” grabs your attention with an iconic piano riff that seizes the ear. Its production is masterfully cool, a seamless sound that unfolds with an air of nonchalant brilliance. The trackskillfully pays homage to a prolific era’s timeless elements, while boldly charting a course for the future. Complete with deep-cut vocals, layers of subtle yet distinctive sonics, and an addictive hook, the track is steeped in decadence. In the accompanying music video, HoodTrophy Bino and Spank Nitti are surrounded by stunning women and reveling in the rappers’ emblems of success.

Hoodtrophy Bino and Spank Nitti James met performing shows with Soulja Boy. They went on tour together recently with Blue Bucks Clan and continue to work many sessions in the studio. “Lavish Spazzin” is their latest release.

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[Video] Don Trip Drops Live Performance For “Say Less”

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In the mid-2000s, Don Trip was one of hip-hop’s most inferior lyricists of the era. Hailing from Memphis, he has created a career that spans decades with his soulful contemporary rap style. Today, while promoting his new album, Hell’s Kitchen, the veteran recording artist previews his latest body of work with a live performance for the album-cut called “Say Less.”

“Say Less” is a impactful track that compliments Don Trip’s signature style as he tells a story about paper chasing. Telling the haters to refocus their attention to wonder why he only talks about money, Don Trip keeps it short and sweet when conversations with the time wasters. From beginning to end, Don Trip is slick, charming, and confident on “Say Less,” and will have fans rushing to his new album eager to hear more.

Hell’s Kitchen is Don Trip’s third album of 2023. Following The Devil You Know and Long Live Pif, the latest album includes breakout singles “Kitchen On Fire,” “Return To Sender,” and “The Outsiders.” Don Trip’s latest release is the perfect origin point for the next generation of rap fans as he currently draws over 101,000 monthly listeners on Spotify.

Watch the live performance of “Say Less” below, and afterward, feel free to follow Don Trip on social media.

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Rising RnB Sensation Law Collaborates with 2KBABY on Catchy New Single ‘WAWA

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Viral emerging RNB artist LAW, aka Ladies Always Win, is back with a compelling record that’s sure to catch the ears of RNB lovers. She gracefully releases her highly-anticipated single “Wawa” featuring 2KBaby, as the two show and prove what it looks like when New York and Louisville link up. This new single follows a summer filled with remarkable milestones for LAW, including her exclusive appearance via On The Radar, amassing over 1 million followers on TikTok, and a breathtaking live rendition of her single “Why Me”, that left her audience in awe.

This new record is the perfect finale to LAW’s “Summer of Law” campaign that began in July. Her previous hits, including “Switch It Up,” “Buss It Down,” and “Act Like You Know,” have garnered widespread attention and solidified her position as an artist on the rise.

“Wawa” takes its name from the iconic convenience chain and weaves a narrative of chance encounters and immediate attraction. The track’s lyrics beautifully capture the essence of a serendipitous meeting between two people that can merge their paths. The collaboration between LAW and 2KBaby isn’t just about two artists coming together; it’s about two regions, New York and Louisville, joining forces to create something magical. Each artist brings their unique perspective and influences to the table, resulting in a track that celebrates the best of both worlds.

For more information about LAW and updates on her music follow LAW on TikTok, Instagram, and YouTube.

TikTok: https://www.tiktok.com/@lawandmusic?lang=en

Instagram: https://www.instagram.com/lawandmusic/

YouTube: https://www.youtube.com/@Lawandmusic/

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Kye Colors Drops New Visual For “Glide”

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Just before he makes his debut performance at T-Mobile Center alongside Juicy J and That Mexican OT this weekend for the Major Cannabis Expo, Kye Colors‘ connects with in-house creative director Kendu for a small screen interpretation of the Shaq Gonzoe, Pierre Mathieu-Lanca, and Will Steller produced skate anthem “GLIDE.”

Serving as the first offering from the Missouri musician’s forthcoming ‘COLORMAN: GREEN’ project, the visual to the feel-good single was preceded by ‘COLORMAN: YELLOW’ and ‘COLORMAN: RED.’ “Going to the skating rink is one of my favorite pastimes. This is my first official skate song, but it’s also self-motivating for me to go out and show how much I want it,” says the LVRN (home to Summer Walker, 6lack, DSVN, Westside Boogie, etc.) managed recording artist.

J’Kye Slatton PKA Kye Colors is a rapper and producer from the south side of Kansas City. Showcasing his passion for music from an early age, Kye began writing songs as early as age 5, often using crayons as his instrument of choice. Today, Kye has evolved into a vibrant and innovative artist, weaving intricate stories and evocative melodies into each captivating cut. Following a sync on Peacock’s original series Bel-Air and his partnership alongside ATL music powerhouse Love Renaissance (@LVRN) in conjunction with Wasteland Records, the talented Hip-Hop act is poised to be your favorite artist’s favorite artist.

Watch the music video for “GLIDE” and stream the official audio on your DSP of choice via Wasteland Records/Venice Music below.

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