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Should Detroit get an original series like @donaldglover ‘s ‘Atlanta’?

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Donald Glover’s season one of Atlanta was a truly interesting experience. Despite being named after the city, which is deemed as one of the central spheres of influence in hip-hop, the show focused more on the personal and intimate, less on the actual city itself. Glover’s character Earn’s journey to become more than, well, homeless, is one of many threads that tie the central narrative together, introducing a number of eclectic personalities that all have something unique to say. Season 2 of Atlanta has begun, and if it’s official title “robbin season” means anything, it hints at a closer look into the negative stigmas surrounding the city. The first episode showed more of Atlanta‘s architecture and dilapidated buildings, hinting at some serious cultural elements to be dipslayed later in the season.

The overwhelming success of the show and its ability to paint the city in a slightly off-kilter light means that there are other cities that could presumably achieve the same effect. Out of the most influential cities in rap, period, Detroit would do well to get the Atlanta treatment. Get a cast of quirky entertainers, showcase some of the city’s premier talents that push the envelope in exciting ways, and paint the city’s beauty in ways that it’s never been done before, and you have the recipe for a hit that would resonate with America.

For one, the film Detroit – which captures the Algiers Motel incident of 1967 during the 12th street riots – showed that the world is interested in the notable events that have happened in the city. There’s a market for the city’s dangerous nature and how the street life impacts those who choose to live in it or are forced there by circumstance. The characters of Atlanta fall into either one of these categories and pay for it accordingly. A series about Detroit could frame the life of the streets through a story of music industry triumph and tribulations, sprinkling bits of wonky comedy in to break any dramatic tension.

What would work best for the series would be the city’s unique style of music. It’s derivative of classic bounce rap, but more contemporary. It’s its own style and that’s what would be the draw for the show as a whole. Expect to hear 100% Detroit-endorsed artists like AllStar JR, Rockie Badd, Kash Doll, and Cash Kidd – all offering their own signature stylings that showcase the variety in the city. Atlanta reached to the globe for its musical inclusions; a series about Detroit would stay within the confines of the city.

Of course, all of this is speculation. Atlanta is meant to be study of characters within the city, not necessarily the city itself. But Detroit’s history is as important as a central cast of characters; the city is one. With the proper approach, and some trust on behalf of showrunners hesitant to dip their toes in new waters, a series about Detroit would be something legendary.

Editorials

Asian Doll and Nicki Minaj have finally connected with each other

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Asian Doll has made it clear since she’s come out that Nicki Minaj has been a huge influence on her style. Both channel a chaotic element to their fashion choices and general aesthetic that utilizes sharp sexuality to be abrasive. They’re both two sides of the same coin, sexual, yet innocent (Nicki) while Asian is much more hardcore.

It’s been a long journey for Asian Doll, coming up and giving powerhouse performances at every turn. In a recently released picture, it looks like her journey has culminated in something amazing: the two forces have finally come together. Will this lead to the release of music together or was this just a friendly passer-by flick?

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Does @allstarjr2724 have the best video of the year with “So Lit?”

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Allstar Jr is known for his smooth, sensual hits that double as trap bangers thanks to a smart selection of beats and smooth samples. His latest hit “So Lit” is no different, being an ode to a beautiful woman who holds him down, as well as having amazing sexual abilities. His videos often feature him rapping while partaking in various activities, from shopping to hanging with the boys, to trapping. They seldom could be deemed controversial, and that works out for him and his image in the long run.

That’s changed with the video for “So Lit” that goes the extra mile. After hanging out with B. Ryan and doling out a few verses, AllStar JR links up with the mystery woman who’s at the center of the song’s message. Clad in a white robe, she slowly sheds her clothing until she’s in some lace lingerie that leaves little to the imagination. When she gets naked, things get steamy. We lose track of her head and see Allstar in what looks like sheer enjoyment. Then, that’s when the fun really starts.

Some creative camera placement shows Allstar having, what appears to be, sex with her. The bounce of her cheeks doesn’t look like something that could be simulated if they were faking; anyone who’s ever administered backshots to a well endowed woman knows that bounce. Another shot shows that he, too, is naked as well. So the question stands, were they getting it in?

The more important question is, is this the year’s best video? In terms of sheer adventurousness, yes it is. No one typically has the cahones to attempt something like this, let alone place it on YouTube. The fact that it’s shot in such a creative manner where he could deny that it was actually happening is a testament to the director’s creativity in filming the scene. There’s also technically not any body parts shown, so it probably isn’t violating YouTube’s guidelines. All in all, a gutsy move by JR.

The question stands, is this the year’s best video? I would say so. We’ve seen a surplus of posse visuals that feature collectives rapping in unison. This visual sticks out like a sore thumb because of its’ willingness to showcase sex as an artistic activity, shot in such a way that it creates a unique aesthetic. Maybe more videos should try something like this out. Or then again, maybe not. Some lackluster copycats would take away from the uniqueness of the original. Let’s leave it the way that it is.

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Editorials

After a month, here’s how @FenkellPayroll and @CardoGotWings ‘s Big Bossin Vol. 2 holds up

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The ever-looming call of summer grows closer. We will soon enter the time period of fewer clothes and more skin exposed. It’s a beautiful time of the year where frozen drinks are widely consumed, beach trips are spontaneous, and smooth, soulful music is blasted through car stereos. Payroll Giovanni and Cardo came together at the end of January for Big Bossin Vol. 2, the follow-up to their critically acclaimed Big Bossin Vol. 1, that is tailor-made for summer’s weather. Whereas the first one was a brief dip into the laid-back lifestyle of the OG, the second is a full-blown vacation. It takes the concepts explored in its predecessor and repackages them, reselling a similar product back to us, the consumers.

Now that the dust has settled and the project is more readily understood, is it still as good as it was when it came out?

In short, yes it is. A project is made up of the sum of its parts. The subject matter is admittedly the biggest aspect that goes into digesting music, but, here, the delivery shines in a way that helps it to transcend time. The message’s packaging is so authentic and precise that the quality of good music shines through clearly. Cardo’s soulful, sincere, and chilling productions bring out a new side of Payroll, one that magnifies the best of his abilities and shrinks the worst of them.

It helps that the weather gets warmer and that this album is meant for hotter temperatures so that its meaning can evaporate into thin air, inspiring new understanding when this happens. The juxtaposition of smooth tracks like “Stack It, Stash It,” and “Mail Long” showcase the project’s versatility and the willingness of both artists to explore more than just one sound. “Dopeman Dreams” and “Turn Ya Phone Off” make use of magnetic refrains that add to the prestige of the album and will help it to transcend time in a way that it’s already doing but at a much larger scale.

But, perhaps the cover art sells it best. The two purveyors of rap’s new go-to sound ride in a convertible car, the blue sky and sun shining brightly behind them. This is the warm weather that we’ve been asking for; it’s only right that we have the accompanying music to go with it. Thanks to the staying power of the album, it looks like it’ll continue to pair perfectly for years to come.

 

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