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Review: Washington DZ by FMB DZ

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Midway through the opening track “Hard To Kill” you’ll likely panic because it sounds like FMB DZ is out of breath. Are you about to hear him pass out on the track? Have no fear. This sense of morbid anticipation becomes a trademark of the listening experience of the album because DZ’s delivery reeks with excitement – he’s anxious to get his message out. Going into the album, if you don’t know much about the Detroit rapper, you’ll learn plenty enough to decide whether you like him or not. Judging by the project’s content, I’m pretty sure you will. By making use of some surprising instrumentation and keeping things short and sweet, DZ manages to gift a package that appetizes just enough to make the world eagerly anticipate another project.

DZ’s delivery could best be described as the perfect mix of guttural and smooth. It helps that he delivers at such a brisk pace because it covers up a lack of lyrical depth that other reviewers would knock off points for. I understand that not all rap music has to be an exercise in deciphering lyrics on Genius, so I find DZ’s content to be perfectly fine. He’s in the business of lifestyle and scenario raps, not verbal hieroglyphics. When he comes in at the beginning of any track, he comes prepared to kill: and that he does. His entrance on “Can’t Hang” plays off of the synths in the background nicely, almost as if he’s sneaking onto the microphone. The best comparison that can be derived would be Yung Gleesh, if Glessh put effort into his extremely casual raps. Of the two, DZ definitely has a leg up.

“Can’t Hang” is a noticeable stand out because of its relatively short length and complexity. Although the tracklist, in terms of song length, follows the pattern set on this song, the production quality varies. The simplistic production on “The Run” makes it sounds more like noise than the backhand support for DZ’s fierce, yet relaxed delivery. Elsewhere, on “Turn Around,” a similar production style is used – almost to the same, somewhat messy effect. But in both instances, DZ’s bars come through to save the day. On the latter track, DZ raps “I don’t give a fuck about your big homie/Big Bully on me, can’t no nigga out here pick on me” invoking the feelings of paranoia, acceptance, and bravado he projects onto listeners.

Aside from these two tracks, the production is surprisingly good. The prominent feature of snare drums on each track cuts across his vocals in a loud, brash statement that probably wouldn’t work for other rappers. Here, it acts as a metronome that DZ constantly refocuses and reshapes his verses around. Maybe the effect is unintentional, but it makes each listen very interesting because you can hear where he’s reformatting things. There’s also some serious piano play here, and a surprising saxophone appearance on “Voices” that sounds nothing short of beautiful. Producers on the project put in some serious work to lace DZ with their best work.

At 14 tracks, the project feels just right. DZ wrapped things up on a speedy note but left fans anticipating more. In an age where artists care more about streams – so they stuff releases with 20+ tracks – someone who realizes the value in creating a tightly put together package is very appreciated. Once the ending rolls around, you’ll be prepared to give it another spin – and you won’t feel exhausted.

By keeping it concise, DZ has created a project that’s both a joy to listen to and easily replayable. Questionable production on a couple of tracks isn’t enough to take away from interesting experimentation and DZ’s unique delivery. This should be the project that brings him to the forefront of both Detroit and mainstream rap success.

Artist To Watch

J.R.Clark’s new album ‘All Business, No Luv’ is out now

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rap artist JR Clark

Virginia’s J.R.Clark’s got a new album for the streets. Check out All Business, No Luv — a collection of hard-hitting tracks that capture the spirit of the state’s rap dominance.

Inspired by artists like Rick Ross and J. Cole, J.R.Clark’s style is smooth and easy to listen to. The album is something you’ll want to throw when you’re in the car headed to your daily commute — or the soundtrack to your drive to, and from, a weekend function. You’ll vibe to the lyrics and nod to the beat. It’s worth the listen.

J.R.Clark started off as a studio engineer in Virginia. He transitioned to become an in-demand artist and his growing fanbase reflects that he made the right decision. Tune in to his new album and become a fan.

Check out the videos that have been released from the project too on J.R.Clark’s official YouTube channel.

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MixTapes

Ca$hedoutkari’s “The Golden Child”: A West Coast Revelation

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Lets dive into the melodic universe of one of the West Coast’s brightest rising stars: Ca$hedOut Kari. His latest 10-track album, “The Golden Child,” is not just another drop in the hip-hop and rap ocean. It’s a sonic journey that immerses you in Kari’s intentional sound and leaves you craving more.

From the moment you hit play, you’re transported into a world where catchy beats meet deep introspection. Just take a listen to “No Love” featuring Nef The Pharaoh; it’s a rollercoaster of infectious hooks and raw storytelling that’ll have you hitting the repeat button. And when Nef The Pharaoh jumps in, the track reaches a whole new level of sonic bliss. Trust us, this is the vibe fans have been hungering for.

But hey, the party doesn’t stop there. “SRT & AMG” is a showcase of Kari’s versatile artistry, dripping with swagger and confidence that’s impossible to ignore. And “RedRum”? It’s a captivating narrative told through an irresistible groove that’s bound to get under your skin in the best way possible.

Let’s talk production value, because “The Golden Child” doesn’t hold back in that department either. With heavyweights like FBEAT, RTBWEST, and ProdbyPimpin on board, the album delivers a seamless and polished sonic experience that elevates Kari’s musical vision to greater heights.

And as if we needed more proof that Ca$hedOut Kari is here to stay, “The Golden Child” serves as a resounding declaration of his talent and potential. This album isn’t just a musical journey; it’s a statement of pure artistry and a glimpse into the boundless future of a rising star.

So, why are you still reading this? Go ahead, indulge yourself in the musical magic of “The Golden Child” below. Ca$hedOut Kari is on the ascent, and you don’t want to miss this ride!

Check it out below.

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Reviews

Unleashing Emotions Through Music: YHG Pnut’s ‘Forever Up’ Reviewed

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In “Forever Up,” YHG Pnut channels his personal struggles and triumphs into a captivating musical journey. With a blend of introspective lyrics and infectious beats, this project showcases Pnut’s ability to connect with his audience on a deep and emotional level. Discover the emotional depth and musical ingenuity of “Forever Up” in this review.

YHG Pnut has steadily built a strong reputation through his collaborations and his hit single “Change Lanes,” which has garnered over 500K streams across all platforms. His roots in hip-hop and inspiration from the likes of Lil Wayne, 2Pac, Biggie Smalls, 50Cent, Eminem, and Don Diego have deeply influenced his musical journey. The soundtrack of his childhood and the influence of his mother, who was already deeply embedded in the world of hip-hop, have set the stage for Pnut’s entrance into the industry.

“Forever Up” marks Pnut’s growth since his arrival in the industry in June 2019 with his EP “All Bets On Me.” This project features collaborations with only one artist, Mac J, and showcases the diverse talent of producers including Foolie, Afrodisiac, LilO, JakobJohn, 22Diegs, MissU, LOZR, and Skies.

Pnut highlights the tracks “Bounce”, “Felon”, and “So Paid” as must-listens for new fans to witness his growth and prowess in the hip-hop genre over the past few years. The release of “Bounce,” a music video preceding the project’s official release, is a testament to his commitment to providing a visual dimension to his music.

The visuals are poised to captivate his audience, drawing them into his world and experiences. This commitment to storytelling and visual representation is a testament to Pnut’s multifaceted approach to his art.

“Forever Up” is available for listening on various platforms and the music video for “Bounce” is already making waves on YouTube. Pnut’s ability to connect with his audience on a personal level and his dedication to his craft are evident throughout this project.

Listen Here.

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