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Ferg Co-Signed Antha Pantha Salutes the Real With Her Charismatic Debut Single

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Bursting out of Harlem with bottomless bars, rapper Antha Pantha has no patience for fakeness. Making a ferocious first impression with her impressive debut single, the “Scrilla Hill” native shares “Real B*tches.” Announcing herself with a fierce growl before launching into her first verse, Antha Pantha dazzles with an animated delivery over triumphant horns and fast-paced 808s, alternating between clipped cadences and sly melodies to create her new anthem. Produced by NYC beatmakers Tweek Tune (Fivio Foreign, Lil TJay, A$AP Ferg) and LaChaleur (A$AP Ferg, Famous Dex), the new song is an ode to supreme self-confidence, as Antha implores listeners to stay true to themselves and elucidate what it means to be a “real ass b*tch”: “I only wear makeup at a photoshoot/Cause Ion need that sh*t just to look cute/A real pretty b*tch every day I wake up/It’s too hot for that sh*t it’s ’bout to cake up.”

In the video, directed by ICE STUDIOS, Antha proves that she can command any situation with her forceful personality. The clip opens with the New York native portraying a convict, as she recruits a loyal crew of pink jumpsuit-clad inmates in the prison yard. In other scenes, Antha leads a gathering of ATVs in her native Harlem, with assistance from A$AP Ferg, who makes a cameo. No matter the scenario, Antha’s personality shines through as she enthusiastically delivers her verses.

“‘Real B*tches’ is an anthem for women embracing the perfection of not being perfect while not giving a f*ck because you’re secure in who you are and what you stand for,” says Antha Pantha.

Obsessed with music, theater, and dance since she was a child, Antha made waves in Harlem with her outsized personality and undeniable talent. Her magnetic qualities attracted the attention of A$AP Ferg, a childhood friend of hers, who quickly became a close collaborator. Antha first earned mainstream attention in 2019 when she appeared on songs from Ferg’s Floor Seats series of EPs, most notably on the buzzing single “Wigs,” which also featured City Girls. In 2020, Antha went toe-to-toe with Ferg once again on the Hit-Boy-produced “Mask.” 

With “Real B*tches,” Antha Pantha announces herself as a prodigious talent that deserves attention. Stay tuned for much more in 2023.

Watch “Real B*tches”

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Oakland J. Stalin Follows Up a Mob Music Landmark with ‘Prenuptial Agreement 2’ Album

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A mover and shaker in the bustling Bay Area scene, West Oakland’s J. Stalin exemplifies his city’s realness, determination, and dedication to the grind. Sharing the long awaited sequel to a Bay Area classic, Stalin drops Prenuptial Agreement 2, a glistening testament to the enduring power of mob music. Founded in the Fillmore district of San Francisco, Mob music is defined by its hard-nosed lyrics and signature sounds: crisp, gently swinging drums, cinematic synths, and prominent, squelching bass. Long one of the most notable Mob proponents in the East Bay, Stalin helped the subgenre regain prominence with his 2010 tape Prenuptial AgreementNow, 13 years and over 50 projects later, Stalin returns to the project that made him a regional star, creating a 17-track document aimed to bring back the mob era.

“Mob music is sinister basses and sinister snares,” explains J. Stalin. “It’s all in the drums and snares and it’s real bassy. It’s a distinctive sound, created by producers like DJ Duo, Ant Banks, Mike D, and Rick Rock. When the first Prenup came out, hyphy was what was popping in the Bay Area. Mob rappers like me, we made some hyphy tracks, but hyphy was kid-like to us. When we did hyphy, we mixed it with mob sounds and harder lyrics.  Mob was our version of what drill is now. Prenup brought the Bay sound back to mob music. Hyphy wasn’t as popular by 2010, and everyone was saying, ‘What are we gonna do now, how is the sound gonna be now?’ When I dropped Prenuptial Agreement, the whole city knew: ‘this is the new sound.'”

Prenuptial Agreement is a showcase for Stalin’s raspy vocals, brutally honest lyrics, and peerless ability to navigate mob instrumentals. Moving from love songs to hustlers’ anthems and back with effortless ease, the album features production from OG Mob architects like The MekanixClayton Williams, and Mike Made The 808s, plus younger beatmakers like Juneonnabeat. Like the Pitchfork-acclaimed original, which brought guest spots from the likes of E-40 and The Jacka, Prenuptial Agreement brings an eclectic cast of characters, from fellow Oaklanders like Philthy Rich22nd Jim, and Jane Handcock standing up for the 357, and street heroes from other cities, like Florida’s Jackboy and Stockton’s EBK Young Joc, who sound right at home. Paired with the release is a video for one of the albums standout tracks, “Who U Talkin 2. (ft. June).” What starts off feeling like a sequel to the Hype Williams classic, Belly, quickly turns into a party on the Vegas strip where Stalin and June are posted up with their crew spitting fire bars, daring anyone who isn’t correct to reveal who they’re talking to. 

Some of the album’s highlights make reference to songs from the original, including the soulful sequel “Don’t Front Pt. 2” and the funky “World On My Shoulders” samples a beat originally created by D-Shot of The Click. With additional appearances from LyjahKevin Allen4rAx of The MekanixAcito, and many more, Prenuptial Agreement 2 arrives on January 27th via Livewire Records/EMPIRE.

Loyal to the grind and his family, J. Stalin is building a legacy for himself and the Oakland scene he hails from. With Prenuptial Agreement 2, the proudly independent artist cements his rightful place in Bay Area history.

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AtcDmoney Drops “Ungrateful”

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Pensacola, Florida artist AtcDmoney releases his new single called “Ungrateful” out now on all music platforms. Produced by Myles Everett. Listen to the single below via Audiomack and follow him on Instagram.

Direct Link: https://audiomack.com/atcdmoney/song/ungrateful

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Richie Evans + Rick Ross + VEDO Drop “Can’t Knock the Hustle”

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 Richie Evans, dropped his project Highly Favored on streaming platforms everywhere. The project features Rick Ross, Vedo, Eric Bellinger and Jay Rock – assisting in the raw delivery of each song. His stand out track, Can’t Knock the Hustle, features Rick Ross and the video will be released soon. The Phoenix/Philly native has been making strides, since his time under The Game at Black Wall Street. Now, Richie represents his own label, TEA aka The Evans Administration and proves he’s a force to be reckoned with. 

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