In 2010, Big Sean’s star power was rising rapidly. He hadn’t yet released “My Last” so he wasn’t the household name that we know today, but he had a large core of fans who were deeply rooted in his handful of releases. A quick release of a mixtape trailer shortly before it dropped had fans amped for when it’d finally come out. Upon release, people eagerly devoured it. Critics praised it for its originality and lyrical content while fans were also happy to just have some new music from Sean. The tape had a large part in ushering in the Big Sean era of rap music, introducing his signature flow and rap style to a new audience, and inspired a generation of Detroit rappers to take up the mantle as the city’s savior when he passes the bar.
The project has withstood the test of time well with it still widely being considered his best work. Today, we revisit some of the standout tracks that made the mixtape amazing. Be prepared to head on over to LiveMixtapes and download it. You won’t regret it.
From the moment the beat drops, Big Sean declares himself a new figure in rap’s dangerous game. It’s an amazing intro that gives us a glimpse into Sean’s powerful personality.
Big Sean loves Detroit, and Detroit loves him back. This ode to the beauty of his Hometown appeared on FF3, before he blew up. He owes it all to the city and he knows it. By professing his love, he cemented himself in Detroit history.
Too Fake (feat. Chiddy Bang)
This might be one of the more underrated tracks on the whole project. The relatively easy-going nature set by the beat, Sean’s verse, and the featured artists, went against what rap music was at around the time. It made for a great listen that inspired some of the music following its release.
Supa Dupa Lemonade
Who could forget the infamous “Supa Dupa Lemonade” that inspired rappers with its signature rap style? Big Sean went in over Gucci Mane’s “Lemonade” beat so hard that the song became his own. There were so many quotable lines spit here that just about every bar circulated on Twitter feeds for months after the project’s release.
Ambiguous (feat. Mike Posner and Clinton Sparks)
Big Sean collaborated with Mike Posner and Clinton Sparks for the soundtrack to 2010 and 2011 kickbacks. This slow and mellow jam introduced a new audience to Big Sean and Mike Posner, with the latter going on a brief run in relevancy before simmering down.
Here’s The Verdict on Joey Purp’s ‘QUARTERTHING”
Joey Purp’s a member of the SaveMoney crew – a Chicago based collective featuring the likes of Chance The Rapper and Vic Mensa amongst other eclectic musicians – and brings a striking new element to Chicago’s music scene. When he released iiiDrops in 2016, although his sophomore project, the world was given a proper introduction into his world of street adjacent raps. He showed his ability to be introspective over a wide selection and variety of ethereal beats. His new project QUARTERTHING continues this creative selectiveness with a newfound commitment to innovation.
Over the course of its runtime, the unique cadence and flow he utilizes to channel excitement constantly grows and evolves. On tracks like “Elastic” and “Godbody Pt. 2,” Purp’s tenacity shines through the refracted lens of eclectic beat selection. Confidence is the main currency being traded on QUARTERTHING. “2012,” the album’s most nostalgic cut, even retains some of this aesthetic that helps to build immersion.
Although much of it the project is powerful, there’s a glaring misstep. “Bag Talk” has a yelling problem; one that the album tries its best to mask throughout with loud beats. But “Bag Talk” peels the veil back to showcase just how empty it sounds without the extra bells and whistles.
Nevertheless, QUARTERTHING is a powerful project that continues to showcase some serious growth for Purp. He’s proving himself to not only be one of SaveMoney’s best, but Chicago’s as well.
Review: Kash Doll’s “Ice Me Out”
Kash Doll’s latest release “Ice Me Out” is the signal of a new age for the Detroit paragon. Her raps have been traditionally delivered in luxe instrumentals, with powerful punchlines being delivered in louder tones. She’s like a female Meek Mill, only more cunning and intimate while keeping the garish tone. “Ice Me Out” changes the perception surrounding her rhymes tremendously. It’s a bold change that works out in the long run.
When Kash Doll steps into the booth, you know you’re going to get something fiery. Just listen to “Check,” one of her previous releases from a few months ago, and you’ll find the energy that she raps with to be mesmerizing. But “Ice Me Out” travels in the opposite direction from the sentiment made evident in the first release. Here, Kash Doll is much quieter, more intimate than ever before. Also, the instrumental she chooses is barebones, enabling her tantalizing lyricism to stand out in bold, exciting ways.
If you’re open to change, than “Ice Me Out” is the Kash Doll track for you. It’s much different than her past releases and gives her a platform to build her aesthetic from. It’ll be interesting to see how it grows from here.
Listen to “Ice Me Out” below.
Bandgang’s ‘In Too Deep’ is a hard-hitting opus
Bandgang’s latest project In Too Deep is the kind of hard hitting street record that everyone needs to hear. Street albums often rotate in and out of importance when the next one comes. Think about any Gucci Mane project ever. Once the next one comes, they’re often left to reside in nothingness until they become unpopular again. But not this time – In Too Deep is hard, brutal, and sits with you long after it goes off. It’s the kind of record that’ll keep you up at night when thinking about its dark intricacies. I can’t say too many other albums have had me in a similar manner.
In Too Deep is a long collection of street raps – nothing more, nothing less. These bangers come in three shapes – fast, Detroit-level knockers, slower, more thought-out hits, and plodding, introspective tunes. All three hit equally as hard. “Come From That” moves at a frighteningly fast pace with bombastic production that makes it a treat to get through. “At My Door” is a little bit slower, but equally as hard. The magnetic nature of the songwriting make each cut a treat to get through.
As far as weak spots, there aren’t any. The project’s power comes in its consistency, so, while no two songs sound the same, they carry a similar energy that makes them equally listenable. This is some of Bandgang’s finest work and you can hear the time that they spent perfecting each rime from the outside. Since it sticks with you when you turn it off, you’ll be more than excited to queue it up again. It’s the gift that keeps on giving. In Too Deep is exactly what you need to survive in these streets.