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Review: Tee Grizzley’s “Grizzley Gang” is a resounding statement of superiority

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“Hov told me quit puttin’ that money to my ear/ I gotta get used to this shit, I’m just now gettin’ here” opens up Tee Grizzley’s long and intense verse on “Grizzley Gang.” It shows his youthful view of the game; yes he likes money phones but he is just now getting here. We can’t judge him for these actions, but we can judge him for his rhymes. And that’s what makes Grizzley Gang a resounding triumph – it’s an exercise in expressing supremacy in a game full of fakes. It’s my favorite of Grizzley’s growing catalog of bangers because of the raw veracity of its lyrics.

The Bay Area of California is the antithesis of Detroit. Both areas provide drastically different sounds; Detroit’s dragging, pounding beats contrast with the light-hearted, swift nature of the Bay Area’s notable sound. Helluva, one of Detroit’s most notable producers, has managed to bridge the connection between both cultures with a sound that’s both derivative of their individual styles yet wholly original at the same time. This new sound provides the backdrop for Grizzley to smash through any semblance of  rapping restraint, roaring mightily.

The one, extended verse that we get is nearly legendary. Grizzley’s the king of no chorus verses and he makes it clear here that there’s no one around that can top him. By the end of the relatively short release, we’re eager for more.

Grizzley once again lets us know that he’s superior in every way to the scores of artists who attempt a similar style that he exhibits. It’ll surely hold the world over until the release Tee Grizzley and Lil Durk’s collaborative mixtape that comes out on December 8.

Check out “Grizzley Gang” below:

 

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Review: Young Roc’s “Dreams” Is Unusual, Refreshing, And Daring

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In Detroit, raw lyricism and flow are the main points of interest in the rap scene. Without either, you’re often either overlooked or chastised. But Young Roc has made a case for choosing to circumvent these rap mainstays and focus on aesthetically daring music that channels lyricism and flow through unconventional means. He traverses through songs on the backs of eclectic melodies and daring production. It’s an amazing feat that has made him someone on our “Must Watch” list. His single “Dreams” only confirms his place as one of the most creative rappers in the city.

The track’s borderline pop production is a daring choice for Roc. Knowing that due to his past music that he’ll be categorized with the more lyric-heavy artists in the city, Roc still chooses to go for the outlandish. It works in its own exciting way. Roc’s vocals on the track match the wackiness of the production, blending pop aesthetics with gritty Detroit angst. It’s a beautiful track that shows just how creative Roc can get.

Listen to “Dreams” below.

 

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Review: @SOBxRBE ‘s “Paramedic!” Is Brilliant, One Of Black Panther Soundtrack’s Best

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When Black Panther comes out, people will cause a riot in theaters; partly because the movie has received stellar reviews, but mostly because the soundtrack for the film is of the highest quality. This isn’t an assortment of randomly selected hot songs in pop culture – it’s a carefully curated project by Kendrick Lamar. One of the best songs from the soundtrack comes from the Bay Area’s SOB X RBE collective, the enchanting “Paramedic!”

Kendrick Lamar offers a brief introduction before the tribal beat cuts on, placing listeners in an almost trance-like state. We heard Kilmonger’s name used at the beginning, so it’s reasonable to assume that the song could be related to the movie’s villain. If it is, it makes even more sense – the song has a darkly erotic vibe to it. The chant of “I wish a nigga would,” is long and drawn out, adding to the uniqueness of the track. It’s an enchanting listen that will send the crowd into a frenzy when it comes on during the film.

Listen to the engrossing listen below.

 

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Review: @Tee_Grizzley Channels Detroit’s Signature Sound In “Colors”

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There’s a certain, unconscious sound that makes up the back-end of Detroit’s rap scene. It can be characterized as a bouncy, anti-trap smorgasbord of drums and hi-hats; you won’t find it anywhere else in the country. While difficult to put into words and explain, it’s what has become Detroit’s calling card. The unique sound makes each release from the city easily identifiable and wholly unique, showcasing the city’s individuality in a genre full of copycats and like-sounded individuals.

On Tee Grizzley’s new release “Colors,” this sound is immediately apparent amidst the repeating piano keys that give Detroit’s signature some added vibrancy. Whether he’s riding through Atlanta with Lil Yachty or traveling to California in search of good dope, Grizzley dances upon the track’s light production with ease. It’s a relatively straightforward release – nothing too out of the ordinary in Grizzley’s growing impressive discography – that serves as the first release from his upcoming album Activated.

Where he goes from My Moment remains to be seen. On that project, Grizzley’s initial reach for mainstream prominence caused him to look for a wide discrepancy of beats, checking off the list of probable hits by notable producers. “Colors” is reminiscent of this same sound that was explored on “From The D To The A”; the song may signal a focus towards celebrating the sound that Detroit is known for. If so, it will be an exciting project that will be sure to open the world up to the city’s intricacies.

Listen to “Colors” below.

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