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Picking Our Favorite Molly Brazy Tracks Before Her New Album “Big Brazy” Releases

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Molly Brazy’s new album, Big Brazy, will be here in a week. To say that we’re ready for new Molly is an understatement; she’s one of the hottest artists in Detroit and one of the female rappers to beat in the music industry, period. She previously released her project Molly World this year that was almost overcrowded with fire flows. It looks like she’s in the zone, ready to release some more fire. To prepare for her new album, we decided to count down our favorite releases from the baby-faced rapstress.

5. Trust No One

As bouncy as the beat is, it’s nearly impossible to avoid vibing to it. Molly’s vocals over the dynamic production are pointed, direct, and relatable. “Never trust a snake/Never trust a snake/they gonna try to ride your wave/and eat it off your plate,” she says knowingly, like an OG scolding a young child. We know Molly, we know. But when she says it, you can’t help but appreciate the vivaciousness in her delivery. This is her most recent release on Soundcloud so it will be a delight if she returns to this style of production and rap cadence for Big Brazy. 

4. Rambo ft. Zay (Prod. by Helluva)

 

“By this time next month, I should have a Lambo,” Molly proclaims on this track, asserting her confidence in her rhymes. And it’s for good measure – her bars on this one are magnificent, as are the contributions from featured artist Zay. Famed producer Helluva provides an airy backdrop for the two artist to drop off some good verses full of declarations of dominence and hints at future greatness.

3. Gimmie (Prod. by Reuel Ethan)

There’s something about fast flows that give listeners chills, especially coming from a talented female artist. Molly Brazy eschews her casual rap style for a quicker, beat-riding, concise flow that makes the track one to remember. “Exaggerated/they so animated/these bitches told me I’d never make it” she says so rapidly, almost as if she isn’t breathing. One word to describe this track: exhilarating.

2. Pop Shit

Talking junk on the internet to someone you’ve never met is something that a lot of people do to celebrities. Perhaps it’s the anonymity that plays into their decision. Regardless, many people believe that it stops at the computer screen. Molly Brazy doesn’t play that. She’ll pull up right to where you live and squash any beef. You’ll have to listen to her dizzying flow on the track to hear what the consequences of internet talking are. Spoiler alert: it won’t be pretty.

1. Molly’s Story

 

We’re suckers for introspective tracks that take a peek at what it’s like to be an artist. Often times, we only see what they let us see of their character. We don’t know what goes on behind the photos of Instagram, tweets on Twitter, or carefully formatted press releases. Molly Brazy’s track offers an interesting, if somewhat sullen, peek into what her life is like now that she’s a burgeoning rap star. It’s an engrossing listen that deserves to be played through multiple times.

 

Editorials

Asian Doll and Nicki Minaj have finally connected with each other

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Asian Doll has made it clear since she’s come out that Nicki Minaj has been a huge influence on her style. Both channel a chaotic element to their fashion choices and general aesthetic that utilizes sharp sexuality to be abrasive. They’re both two sides of the same coin, sexual, yet innocent (Nicki) while Asian is much more hardcore.

It’s been a long journey for Asian Doll, coming up and giving powerhouse performances at every turn. In a recently released picture, it looks like her journey has culminated in something amazing: the two forces have finally come together. Will this lead to the release of music together or was this just a friendly passer-by flick?

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Editorials

Does @allstarjr2724 have the best video of the year with “So Lit?”

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Allstar Jr is known for his smooth, sensual hits that double as trap bangers thanks to a smart selection of beats and smooth samples. His latest hit “So Lit” is no different, being an ode to a beautiful woman who holds him down, as well as having amazing sexual abilities. His videos often feature him rapping while partaking in various activities, from shopping to hanging with the boys, to trapping. They seldom could be deemed controversial, and that works out for him and his image in the long run.

That’s changed with the video for “So Lit” that goes the extra mile. After hanging out with B. Ryan and doling out a few verses, AllStar JR links up with the mystery woman who’s at the center of the song’s message. Clad in a white robe, she slowly sheds her clothing until she’s in some lace lingerie that leaves little to the imagination. When she gets naked, things get steamy. We lose track of her head and see Allstar in what looks like sheer enjoyment. Then, that’s when the fun really starts.

Some creative camera placement shows Allstar having, what appears to be, sex with her. The bounce of her cheeks doesn’t look like something that could be simulated if they were faking; anyone who’s ever administered backshots to a well endowed woman knows that bounce. Another shot shows that he, too, is naked as well. So the question stands, were they getting it in?

The more important question is, is this the year’s best video? In terms of sheer adventurousness, yes it is. No one typically has the cahones to attempt something like this, let alone place it on YouTube. The fact that it’s shot in such a creative manner where he could deny that it was actually happening is a testament to the director’s creativity in filming the scene. There’s also technically not any body parts shown, so it probably isn’t violating YouTube’s guidelines. All in all, a gutsy move by JR.

The question stands, is this the year’s best video? I would say so. We’ve seen a surplus of posse visuals that feature collectives rapping in unison. This visual sticks out like a sore thumb because of its’ willingness to showcase sex as an artistic activity, shot in such a way that it creates a unique aesthetic. Maybe more videos should try something like this out. Or then again, maybe not. Some lackluster copycats would take away from the uniqueness of the original. Let’s leave it the way that it is.

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Editorials

After a month, here’s how @FenkellPayroll and @CardoGotWings ‘s Big Bossin Vol. 2 holds up

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The ever-looming call of summer grows closer. We will soon enter the time period of fewer clothes and more skin exposed. It’s a beautiful time of the year where frozen drinks are widely consumed, beach trips are spontaneous, and smooth, soulful music is blasted through car stereos. Payroll Giovanni and Cardo came together at the end of January for Big Bossin Vol. 2, the follow-up to their critically acclaimed Big Bossin Vol. 1, that is tailor-made for summer’s weather. Whereas the first one was a brief dip into the laid-back lifestyle of the OG, the second is a full-blown vacation. It takes the concepts explored in its predecessor and repackages them, reselling a similar product back to us, the consumers.

Now that the dust has settled and the project is more readily understood, is it still as good as it was when it came out?

In short, yes it is. A project is made up of the sum of its parts. The subject matter is admittedly the biggest aspect that goes into digesting music, but, here, the delivery shines in a way that helps it to transcend time. The message’s packaging is so authentic and precise that the quality of good music shines through clearly. Cardo’s soulful, sincere, and chilling productions bring out a new side of Payroll, one that magnifies the best of his abilities and shrinks the worst of them.

It helps that the weather gets warmer and that this album is meant for hotter temperatures so that its meaning can evaporate into thin air, inspiring new understanding when this happens. The juxtaposition of smooth tracks like “Stack It, Stash It,” and “Mail Long” showcase the project’s versatility and the willingness of both artists to explore more than just one sound. “Dopeman Dreams” and “Turn Ya Phone Off” make use of magnetic refrains that add to the prestige of the album and will help it to transcend time in a way that it’s already doing but at a much larger scale.

But, perhaps the cover art sells it best. The two purveyors of rap’s new go-to sound ride in a convertible car, the blue sky and sun shining brightly behind them. This is the warm weather that we’ve been asking for; it’s only right that we have the accompanying music to go with it. Thanks to the staying power of the album, it looks like it’ll continue to pair perfectly for years to come.

 

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