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@Parkway703 drops a wild, vibrant visual with “Demons”

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Virginia’s Parkway has released an ominous new treat in “Demons,” a slow-moving song that explores what’s hidden in his closet. The production by Shymar Ovita is perhaps our favorite part of the cut; its video coming in a close second. Some trippy ass special effects, courtesy of Henry C, and the overall direction by Spencer Sease, help to make this thing transcend the typical, turning it into a brilliant showcasing for Parkway’s latent celebrity and potential.

Watch the video for “Demons” below.

 

Music Videos

@AkhilSesh’s visual for “Lil Thouwow” will throw you for a loop

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Akhil Sesh’s latest visual is “Lil Thouwow” and if there’s one word to describe it, it’s definitely “wow.” That’s a good one by the way, often because the word gets misconstrued in this context. In the visual for the song smoother than usual song, Akhil Sesh loads on copious amounts of special effects that showcase a drive to be eclectic. It works, too.

Watch the video for “Lil Thouwow” below.

 

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@theofficialyed goes crazy in “Like I Never Left”

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Y.E.D. hails from Atlanta and is more grassroots than anyone coming out of the city. His raw, visceral style of music relies on its spontaneity for thrills. “Like I Never Left” captures lightning in a bottle for a captivating sound and style that place you right in the action. The video will give you vertigo, but it’s mesmerizing in a way that Harmony Korine’s K.I.D.S is.

Watch the video for “Like I Never Left” below.

 

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@Coringmusic shows Brooklyn’s beauty in “Brooklyn”

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Watch Corin Gabriella’s exciting new video for “Brooklyn.” It has a very grassroots feel to the way that it’s shot and the frantic, energetic viewpoints that it uses to portray the city’s angst. Corin is a rising R & B stalwart out of the city with a soulful sound that cuts through much of the more atmospheric muddling that exists in contemporary soul culture. With a fresh, funky twist, her latest will give you something to remember.

Watch the video for “Brooklyn” below.

 

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