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Here’s A Track by Track Review of Philthy Rich’s “Sem God”

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We’ve been anticipating Philthy Rich’s new project, Sem God. His tantalizing flow makes for good party music or chill music. His versatility is why he’s still around after years of putting in hard work. Changing things up for a pace, we’ve decided to do a track by track review for Sem God. Inspired by DJ Booth, we’re going to listen to each track one time and give our honest thoughts.

Sem God

Only Philthy can start an album off on a high note without any introduction. There’s no inspirational intros, skits, or eye-rolling phone conversations meant to make us anticipate the album that we’re listening to even more. He goes off on a beat that sounds as if it was created on the steps of the church down the street. The pounding bass compliments Philthy’s silky flow to perfection. I’m almost tempted to say that this is my favorite song so far and the album just started. How will he able to keep up the already impossibly high standard he’s just set?

Around ft. Gucci Mane and Yhung T.O.

You can never go wrong with a verse from Gucci Mane, arguably the hottest rapper on the planet at the moment. Anything he touches turns into gold. Combine his sneaky flow with Philthy’s machine gun delivery and you have a track that’s nearly diamond. The production is kind of one note which detracts from the song’s replayability a tad. But it’s something that will be played on the highways of Los Angeles next summer for sure.

My Zone ft. Marko Penn

How could you describe the classic Bay Area sound? It’s very positive, energetic, and bouncy. Philthy emulates that style of rap with this track, bereft with a feature from an R & B artist able to flow on the hook nicely. This ode to women is another high point in the tracklist so far, probably beating Sem God as my current favorite. Besides the romantically charged lyrics, the production is another high point. As simple as it is, it’s perfect for the idea that the song entails.

Winning Team

Ah, we return to the Bay Area bounce for what feels like a dark flip of “My Zone.” Come play for the winning team is the message of this track, but the light-hearted delivery of the previous track has all but vanished. This is a commanding call towards women while being a chance for Philthy to flex his accomplishments as well. It’s a good track and it’s made all the more powerful by being played right after “My Zone.”

Dead Fresh ft. Money Man

From the instant that this track starts, it’s clear that this is something special. It’s different from everything else so far – it’s quiet and intimate. Money Man on this track sounds like he’s emulating the sing-songy flow of Future, but it works well. Philthy reveals that what he’s writing is off the head on this song. As fast as he raps, it’s almost unbelievable. It’s a great track, but something special feels missing. There should have been a Gucci feature on this song instead.

This One ft. Bankroll Fresh

Loud, commanding tracks are what Philthy Rich is known for. He returns to form here with a boastful track backed by commanding production as well. It’s a decent inclusion, but ultimately forgettable. I understand the message that he was going for though. Basically, everyone who ever doubted him should be eating dog shit. Bankroll Fresh’s inclusion is a brutal reminder of his untimely death. Rest up, Bankroll.

No Extras

I’m noticing a trend. When Philthy goes for darker production, he goes even harder. Imagine what he’d sound like over a Metro Boomin beat. “No Extras” might be the closest that we’ve seen so far – he’s stepped it up even more. He’s got no answer for you no matter what you ask. There’s a lot of numbers he’s throwing out on here. It’s making my head spin just thinking about it.

Big Dawg Status ft. YFN Lucci, Young Dolph, and Lil Durk

Alas, this is what I’ve been waiting for. Just crude, angry, and boastful – the perfect recipe for the go-to hype song at the gym. The beat is largely irrelevant – it’s a little lacking on the bass side – but the verses from Philthy, YFN Lucci, Young Dolph, and Lil Durk are nothing short of spectacular. I was actually shocked to hear these four together on a song. Even more, Philthy managed to bring each artist’s A game.

24 Hours ft. Payroll Giovanni and Team Eastside Peezy

Philthy Rich goes for that classic Detroit sound with this track, featuring D-Town heavyweights Payroll Giovanni and Team Eastside Peezy, and Bay Area artist Mozzy. He fucks with the D, that’s a known fact as he so eloquently puts it. He also gives us a mantra to live by: “We got the same 24 hours in a day. Stop wasting time nigga, get paid.” It’s another strong point to an already strong album.

Free JBay

This track is an ode to an associate named J Bay and it doubles as a speaker-rattling powerhouse. It’s relatively straightforward but you can feel the sentiment that he expresses for his fallen comrades, whether they’re dead or they are in the penitentiary. It’s a heartfelt song that will be added to my rotation in the next couple of days.

Plug Conversation (Bonus Track) ft. Allstar JR

Why is this a bonus track? This furious beat is the perfect pairing for Philthy Rich and featured artist Allstar JR. Philthy and JR both give strong verses about being the plug and the typical mainstays of rap superstardom. A side note: Allstar JR is quickly becoming one of the funniest rappers I’ve heard in recent memory. His comedic punchlines – I’m not sure if they’re written to be funny – remind me of Ludacris. He has a bright future ahead of him in rap.

Right Now (Bonus Track) ft. SOB X RBE, Ziggy

To cap off this album, Philthy delves back into that classic Bay Area sound to send us home on a high note. The hook for this song is a killer; props to the strong songwriting. This, like Plug Conversation, would be valuable admissions into the main tracklist. It’s a shame that they are delegated to bonuses. But then again, since they’re included with the main album, maybe that denotation should be ignored.

Overall, this is one solid album from Philthy. He continues to show his consistency and his ability to spit with the best of them. There’s no rust in his blood; he’s like the Terminator in his ability to keep going no matter what.

Score: 4/5

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Bandgang’s ‘In Too Deep’ is a hard-hitting opus

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Bandgang’s latest project In Too Deep is the kind of hard hitting street record that everyone needs to hear. Street albums often rotate in and out of importance when the next one comes. Think about any Gucci Mane project ever. Once the next one comes, they’re often left to reside in nothingness until they become unpopular again. But not this time – In Too Deep is hard, brutal, and sits with you long after it goes off. It’s the kind of record that’ll keep you up at night when thinking about its dark intricacies. I can’t say too many other albums have had me in a similar manner.

In Too Deep is a long collection of street raps – nothing more, nothing less. These bangers come in three shapes – fast, Detroit-level knockers, slower, more thought-out hits, and plodding, introspective tunes. All three hit equally as hard. “Come From That” moves at a frighteningly fast pace with bombastic production that makes it a treat to get through. “At My Door” is a little bit slower, but equally as hard. The magnetic nature of the songwriting make each cut a treat to get through.

As far as weak spots, there aren’t any. The project’s power comes in its consistency, so, while no two songs sound the same, they carry a similar energy that makes them equally listenable. This is some of Bandgang’s finest work and you can hear the time that they spent perfecting each rime from the outside. Since it sticks with you when you turn it off, you’ll be more than excited to queue it up again. It’s the gift that keeps on giving. In Too Deep is exactly what you need to survive in these streets.

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Review: @LaBritney_ and @kashdoll ‘s “Actin Funny” showcases two of Detroit’s premier artists at their best

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It’s nice to see women from Detroit come together and create good music. La’Britney and Kash Doll have hooked up and created a true slapper called “Actin Funny.” Over the bouncy, Bay-Area inspired production, La’Britney and Kash Doll drop off verses about how people treat them once they start getting money. Both artists breath fresh air into the tried-and-true topic and showcase their talents, also showign off some new ones.

La’Britney starts off the proceedings by singing the chorus, and, if you thought she could only sing, be prepared to be suprised. She spits a hard verse; seriously, harder than many rappers who just spit. She showcases her venomous side – her talk of guns and shootouts sounds very believable by her not forcing any images, just talking regulalry. Afterwards, Kash Doll comes in and does her thing as usual. Is it even a question at this point?

Overall, very solid record from two amazing recording artists.

Checkout “Actin Funny” below.

 

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Review: Young Roc’s “Dreams” Is Unusual, Refreshing, And Daring

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In Detroit, raw lyricism and flow are the main points of interest in the rap scene. Without either, you’re often either overlooked or chastised. But Young Roc has made a case for choosing to circumvent these rap mainstays and focus on aesthetically daring music that channels lyricism and flow through unconventional means. He traverses through songs on the backs of eclectic melodies and daring production. It’s an amazing feat that has made him someone on our “Must Watch” list. His single “Dreams” only confirms his place as one of the most creative rappers in the city.

The track’s borderline pop production is a daring choice for Roc. Knowing that due to his past music that he’ll be categorized with the more lyric-heavy artists in the city, Roc still chooses to go for the outlandish. It works in its own exciting way. Roc’s vocals on the track match the wackiness of the production, blending pop aesthetics with gritty Detroit angst. It’s a beautiful track that shows just how creative Roc can get.

Listen to “Dreams” below.

 

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